Evaristo Muyinda was one of Buganda’s best known traditional musicians throughout the second half of the 20th century – versatile and with a a deep knowledge of the royal repertory. These are notes cobbled together from my…
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Recorder music from Cramond Primary School Edinburgh, 1970
Here are a few tunes I recorded on cassette back in 1970 of Cramond school’s recorder group which Di Cooke was teaching during the period 1969-70. Cramond Primary is a small school just above the slopes to the River Almond,…
Recorder Music – from Sutton Coldfield.
For nearly two decades the HOLBORNE CONSORT has flourished in Sutton Coldfield. Named after the 16th century English composer Anthony Holborne and founded by Beresford King Smith, it has enjoyed meeting regularly and occasionally contributing to local concerts. Until recently…
The fiddler and his art. How did they do it?
The Fiddler and His Art (CDTRAX 9009 MONO) has been one of the best selling records released by the University of Edinburgh’s School of Scottish Studies from its huge audio archive and issued as part of its acclaimed Scottish Tradition…
Modes or Tastes and William Dixon – again. What’s in a word?
With them rose A forest huge of spears; and thronging helms Appear’d and serried shields in thick array Of depth immeasurable: anon they move In perfect phalanx to the Dorian mood Of flutes and soft recorders; such as rais’d To…
William Dixon’s tunes re-visited – the problem of key signatures.
This is an updated version of the brief article published in the December 2016 issue of Common Stock, the journal of the Lowland and Border Pipers’ Society. Here the article has been expanded by the inclusion of more music notations…
Willie Hunter, Shetland’s finest fiddler/violinist.
It’s 38 years since I spent a long weekend in Lerwick privileged be recording the violin playing of ‘Young’ Willie Hunter and his accompanist Violet Tulloch. On my return I posted a master copy of those fine sessions to the…