Willie Hunter, Shetland’s finest fiddler/violinist.

It’s 38 years since I spent a long weekend in Lerwick privileged be recording the violin playing of ‘Young’ Willie Hunter and his accompanist Violet Tulloch. On my return I posted a master copy of those fine sessions to the late Dave Bulmer of Celtic Music so that he could market an album entitled Willie Hunter. That recording, first issued as a vinyl LP in 1982 and later on CD, has very sadly not been available for years and Celtic Music folded a few years after Dave Bulmer’s death in 2013.
Sadly also Willie and Violet’s two later albums — Leaving Lerwick Harbour and The Willie Hunter Sessions were made when Willie was past his best as a fiddler: he died of cancer in 1994. Each time on later visits around the turn of the century I was asked by Violet and many more Shetlanders why the Willie Hunter record was no longer available. I had no answer for them and there was no indication that it would ever be re-issued. 

But now here it is – some prime listening for you – younger Shetlanders especially!

Although I’ve had to compress the original files to Mp3 format, Willie’s sparkling virtuosic playing still shines through, along with the very musical support given by Violet at the keyboard. It’s a nice task to undertake when one is self-isolating, – mainly because of the Covid 19 virus and also because I spend a lot of time chair-bound after various illnesses and accidents.
On the back of the original album’s sleeve is an informative note, composed mostly by Violet and Willie. It runs as follows:-
  • The extraordinary fiddling prowess of Shetland players has been recognised for at least 200 years, though only recently has the fame of the finest Shetland exponents spread far beyond their native islands. Players like Aly Bain, Tom Anderson and Arthur Robertson have been heard on record over the years, but the reputation of Willie Hunter has gone before him, and not only is this first solo album eagerly awaited by enthusiasts everywhere, but one of the finest talents in Scottish fiddling will be heard by a much wider public,
  • “Young” Willie Hunter was born in 1933 and like many Shetlanders got his earlier lessons from his father “Old” Willie – himself a fiddler of some repute, especially in traditional Shetland music. Willie was a fiddle enthusiast from early days; his mother recalls that even as a child the fiddle was taken to bed, in case the lessons of the day needed some rehearsing. As an older boy he took lessons from the late Gideon Stove, a talented Lerwick fiddler and composer, and also from Geoffrey di Mercado, a fine player with a background in classical music.
  • However, Willie declined the opportunity of leaving Shetland for classical training, and continued to practise and to play at local concerts, often with his sister Lorna as accompanist. Later he gained experience playing in local bands and, as an enthusiast of Scottish dance music, was influenced at an early age by the visits to Shetland of famous bands such as Shand, McLeod and Cameron. More recently Willie became a founder member of Shetland’s best known band, The Hamefarers,
  • Much on this album is drawn from the music of the self-styled Strathspey King, James Scott Skinner (1843-1927), whose compositions have long been favourites in Shetland, originally made popular through old 78r.p.m. recordings, but also performed by visiting musicians, among whom the best known was “Da Blind Fiddler”, George Stark of Dundee who played around the streets of Lerwick and at dances and concerts in Shetland for several decades.
  • On more than one occasion Willie visited the late Hector MacAndrew, whom he greatly admired and who was more than willing to demonstrate his skill in the art of playing in the North East style. Another player who has earned Willie’s admiration is Angus Fitchett, and in fact he learned some of Skinner’s tunes such as “The Dying Year” and ”The Autocrat” from Fitchett’s early records. Two years ago, Angus presented Willie with the music for his own composition “Lament for the death of Will Starr”. Along with Skinner’s “Young King”. Shetlanders have always enjoyed Irish music, and Willie’s meetings with the great maestro Sean McGuire were the inspiration for his Irish selection.
  • Although mainly Scottish in character, a sprinkling of modern Shetland pieces rounds off the selection. “Billy’s Welcome to Canon Park” was composed on the birth of his own son when Willie was serving with the R.A.F. in England. “Da Auld Resting Chair” is considered among the best tunes Tom Anderson ever wrote. “The Modest Fiddler” is Arthur Roberston’s tribute to Willie Hunter senior, and the other new Shetland tune is “John Pottinger’s Compliments to Ronnie Cooper”, whose recent death was a great blow to many Shetland people.
  • Nicely written and giving most useful contextual information on the music.
    Now here are the tunes – enjoy them and use headphones for better quality sound!                   
  • Peter Cooke, March 2020.


1. The Duke of Fife’s Welcome to Deeside, Glen Grant Strathspey and The Gladstone Reel.z

The Strathspey, sandwiched between two of James Scott Skinner’s tunes, is by Peter Milne (1824-1908), otherwise known as ‘The Tarland minstrel’.

Arthur Robertson

John Roy Lyall – The Modest Fiddler – Billy’s Welcome to Canon Park
Eddie Edmond – a band leader in the north east of Scotland in the 1960s-70s composed this first air to his father-in law. Arthur Robertson’s The Modest Fiddler refer’s to Willie’s father while the third tune as mentioned earlier commemorates to the birth of Willie’s son.


3. The Lament for Will Starr – The Young King

Angus Fitchett played in  a trio for some years  with Will Starr, a consummate accordionist and band leader who died in 1976. In contrast The Young King is one of Scott Skinner’s lively hornpipes.


Sean McGuire

 Irish Reels: The Bantrey Lasses – Peeler’s Jacket – Music in the Glen

One of Ireland’s all-time stars who visited Shetland  more than once.

5. Big Dougal
One of Finlay Powrie’s several slow airs.

6. Cape Breton Reels: Trip to Windsor – Mrs Norman McKeegan – The Devil’s Dream.

Shetland has long had close connections with Cape Breton, musically as well as in other ways. The first two  tunes are the work of Dan R McDonald (1911-1976) – ‘Danner’ –  one of Cape Breton’s best known musicians.  His widely popular Trip to Windsor  can be found in the collection of that name, published by John Donald Cameron in 1994. The Heather Hill Collection (1985/2000) is home for the other two tunes. Several Devil’s Dream tunes are known to exist  including one in Thomas Wilson’s 19th century Companion to the Ballroom while Willie’s tune in the Heather Hill  Collection, bears the title The Devil’s Delight  ‘arranged by the Scots fiddler J. Murdoch Henderson’ whom he met during visits to the Scotland and who gave him some lessons. My thanks go to the American fiddler/researcher Dr. Paul Wells for help in clarifying the sources of these tunes.

7. The Dean Brig o’ Edinburgh – The Banks Hornpipe

Two well justly well-known 19th-century compositions: the first by Airchie Allen and the second by Scott Skinner.

8. Arthur’s Seat – Eugene Stratton – Madam Neruda

Scott Skinner composed all three of these testing pieces.

9. Mr MichieJohn Pottinger’s Compliments to Ronald Cooper – The Rocket
Mr Michie is one of Angus Fitchett’s marches, first published after this record, in 1988. Apparently John Pottinger only wrote one tune, but as one reviewer has written “what a cracker”! The Rocket was written in 1773 in the Complete Collection of Favourite Country Dances where it is labelled Anon.

10. Shetland Reels: Jack Broke da Prison Door – Donald Blue –  Sleep Sound in da Morning – Lasses Trust in Providenc
e – Da Boanie Isle o Whalsay
Five justly popular tunes representative of Shetland’s own large repertoire.

Tom Anderson and Willie Johnson

11. The Auld Resting Chair -Happy Tom – Miss Shepherd

The first piece is Tom Anderson’s best known slow air. The other two pieces are the work of Scott Skinner who delighted  in writing and playing ‘Scotch Snaps’ whenever suitable, as in Happy Tom.

12. P.M. Willie Gray’s Farewell – The Iron Man – The Bungalow

The famous south Uist musician Seoneid Rodein, otherwise known as John MacDonald,  Pipe Major of the Glasgow City Police Pipe Band, wrote the first. It’s a classic among pipers, but one which fits the fiddle extremely well. The other two tunes are from Scott Skinner’s pen – The Iron Man being from a manuscript dated 1923

Angus Fitchett

The Dying Year – The Autocrat – The Dean Brig Reel

The Dying Year is the work of J.D, Michie who wrote it in 1935 , dedicating it to Angus Fitchett. Willie Hunter learned the other two from Angus’ records. The last named was composed by ‘The Tarland Minstrel’, Peter Milne  (1824-1908). He was an associate of Scott Skinner and at times a theatre musician. It was published in in Middleton’s Collection of Strathspey Reels

14. Fiddler’s Cramp – Carnie’s Canter.
Two late 19th-century challenges: the first is  from Kohler’s Violin Repository (Bk 1 p. 80): the second from The Skye Collection (1887) and by Scott Skinner.

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22 thoughts on “Willie Hunter, Shetland’s finest fiddler/violinist.

      1. I came to it via a link that someone shared on Facebook. I can only think that I was somehow listening to the original version, as I am seeing the corrected version now. Every track is a delight. Thank you so much for this.

    1. So wonderful to hear this again we had the original in the house when I was growing up.
      Thank you so much.
      My Father was Archie Lamont Mod Medallist 1948 and Leader of The Bearsden Fiddlers so I also was brought up listening to all these fine tunes and The Music of J.S.Skinner.
      I was also fortunate enough to attend The RSAMD at the same time as Dougie Lawrence a pupil of Hector McAndrew.
      One of the greatest treats was to hear Celia McIntyre playing ‘The Orcadian’ and ‘Da Shetlander’ Fiddle Duets with Betty Henderson in Concerts.
      During my broadcasting career I’ve been fortunate to share a television platform with Aly Bain and have played as many greats as possible on my radio shows including Willie accompanied by
      the quite superb Violet Tulloch.
      I have been very fortunate indeed.

  1. Wonderful stuff–thanks so much for recording this material in the first place, and for making it available once again. (And thanks to fiddler Kevin Henderson for alerting people to the existence of this site.) You and I have never met but I have long known of, and admired, your work, principally through Prof. James Porter, who was one of my mentors in graduate school at UCLA, many years ago, and who I imagine you do know.

    A couple of small points: I believe that one file is duplicated here; the tunes in Track 1 are replicated in Track 9. I would love to be able to hear “Mr. Michie” et al!
    Also, “Mrs. Norman McKeegan” (Track 6) is a composition of Dan R. MacDonald, as well as “Trip to Windsor.”

    Thanks so much again for sharing this material–it’s wonderful to hear more of Willie & Violet’s music!

    1. many thanks for your appreciation Billy. When you last listened to it di you find a duplication of a couple of tracks. I’ve been told that the music for track 1 also appears as track 9.

  2. This is wonderful! I have Willie’s two other CDs and would love to download these to a memory stick so that I could listen to them in my car. Is there any way I can do this? I would be willing to pay…….!

    1. So glad you enjoy Willie’s and Violet’s playing.
      You are welcome to download – no charge.
      On a Mac it is simple enough to record music being streamed like the tunes in the blog, but I all done internally and resulting files can then be saved and downloaded to your memory stick. I don’t know about other computers. I expect they must also have a record facility.

      I also expect modern computers to have an audio line-out socket which could be used. In the case of a worse scenario I have used an audiorecorder to record direct from the computer but unless you have good speakers the resulting quality is poor.

  3. I noticed that the track with Mr. Michie links back to the Duke of Fife track.

    Do you have FLAC or any lossless format too?

    Thank you very much for this!

  4. I just can tell you now that Willie had great tone. Been a long time since I’ve listened to his recordings. I’ll have to dig into the archives of Sean McGuire and Bert Murray as well.

  5. Peter, my husband (Cathal Tunney) is an Irish fiddle player. His father was Paddy Tunney, a note traditional singer (see link:

    We recently retired from Canada to Letterkenny, Co. Donegal. Cathal was terribly taken with your recordings of Willie Hunter. Is there any way he could get a copy to download? Barter trade with some of his music??

    Any help/direction you could provide would be appreciated.

    1. Mary, I am so sorry to have found that I have not yet replied to your comment.
      Feel free to download any of the. recordings for. your use. As long as none of the recordings are marketed for sale there will be no problem.
      i hope. cCathal gets as much pleasure listening to them as I do.
      Stay well!

  6. Despite living on the island of Ireland, a land full of Fiddle players, the late Sam Stevenson of Broughshane, Co. Antrim, a Fiddle maker & player, who repaired many of my student’s fiddles & bows over the years, absolutely adored the playing of Willie Hunter & always said that there was no finer player of the Slow Air than Willie.

  7. Peter I have just come over this my dad was great friend with both Angus and Willie, he was the lead accordion player in the Fitchet Band on both his albums Fitchet’s Fancy and the Legendary Angus Fitchet. If possible could you do the same with the album of Angus’s Fitchet and his all Star Band.

    Willie was just a superb player at his best probably the best that has been and there has been many good fiddle players.

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