About me

I am a retired ethnomusicologist though I don’t consider the ‘ethno’ prefix necessary neither do I feel that  I have really retired, yet.

I taught music in secondary schools and as a lecturer at Redland College of Education (Bristol) before moving to Uganda in 1964 to work as head of music at Makerere College School. A year later I was moved to the newly founded National Teachers’ College at Kyambogo (now Kyambogo University) to establish the new music department.

17 entengakyambogosmall
Students practice entenga drum-chime at Kyambogo.

I returned to the UK in 1968 and in 1969  was appointed to lead research into the traditional music of Scotland at the School of Scottish Studies, Edinburgh University. While there I gained my doctorate with my study  The Fiddle Music Tradition of the Shetland Isles (1980) and also initiated ethnomusicology courses within the Faculty of Music.

I took early retirement in 1989.  This allowed me more time for research and to resume visits to Uganda and to undertake some archival work. For instance, I prepared my own collection of Indian and African field recordings  for deposit in the British Library’s National Sound Archive and in 2002-2003 I visited Banjul as a World Bank  consultant to undertake the re-equipping of the Gambia National Museum’s sound archive and the retraining of its staff.  I  spent a semester as Visiting Professor at the Archives of Traditional Music at Indiana University, organising and indexing the Laura Boulton Collection of field recordings and while home in Edinburgh in 1994-5 I worked similarly on the Jean Jenkins Archive housed at the National Museum of Scotland.

I am currently a Research Associate at SOAS, London and also classed as a Visiting Academic at Birmingham University (where I taught ethnomusicology part-time for a decade).  I  continue to give occasional lectures and workshops (eg. The John Bird Lecture at Cardiff University in November 2015 and the John Blacking RAI lecture at Durham in 2014) .

Among my hobbies have been conducting (I was Chorus Master and Assistant Musical Director of  the Bristol Opera School before going to Uganda) and have enjoyed playing early European music and giving workshops in  African  music performance, in particular, the Kiganda amadinda and the Kisoga embaire xylophones as well as various styles of drumming..

Birmingham students play embaire.

I  play keyboards, viols and recorders and for a decade served as Musical Director of the Birmingham Branch of the Society of Recorder Players until 2014.

Ellevil 1964
Ellevil 1964

Sailing has been a much loved pastime. With my wife Diana and our three sons we have explored most of the coastal waters of Scotland and its western and northern isles. This painting of the Norwegian folkboat Ellevil (our first sailing cruiser) was made by the marine artist Pete Stuckey who sailed with us on our last voyage from Helford River to Fishguard in Ellevil before we moved to Uganda
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