These began in London in 1964 a few weeks before travelling out to begin teaching in Kampala, Uganda. On the stage of the Prince’s Theatre, London, I received my first lesson in playing the Kiganda amadinda xylophone from the South African musicians Andrew and Paul Tracey before their evening show Wait a Minim. My work in Uganda led me to begin exploring that country’s traditional music initially with the aim of collecting useful materials for my teaching there. That exploration has continued – apart from during the chaos of the periods of the rule of Amin and the Second Obote regime (1969-87). Early retirement in 1989 allowed me more time to continue this research.
Virtually all of my audio field recordings of Ugandan music (except for the most recent) are available for listening and research on-line at the British Library’s site BL Sounds. Go to http://sounds.bl.uk/World-and-traditional-music . There you can also find the earlier important set of recordings made by Klaus Wachsmann.
Bibliography and Discography
[Click on any underlined text to learn about the items listed
or to access pdfs etc. Click on images to enlarge them.]
Twenty four Songs of Uganda, Kampala, 1966 (anthology of traditional songs), 52pp (with tape recordings of performances by the choir of Nabisunsa Girl’s School.
“Ganda xylophone music – another approach”, African Music, iv/4, 1970, p. 62-75 (click here to view and download the full text of this article courtesy of Rhodes University).
The Ganda Ndere: An examination of the notched flute of the Ganda people of Uganda. MA research diss., University of Wales, Cardiff, 1970 (click here to access a pdf – The Ganda endere)
“`Ludaya’, A Transverse Flute from Eastern Uganda”, Yearbook of the International Folk Music Council, 3, 1971, p 79–90.
“Tuning in to African Music”, Overseas Challenge [bulletin of the National Council for the Supply and Training of Teachers Overseas], xxiii, Autumn 1972, p. 5-7
“Rwenzururu Protest Songs”, Africa,
52/1, 1982, p 37-60 (with M. Doornbos)
for the pdf :- Rwenzururu
“Ssematimba ne Kikwabanga : The music and poetry of a Ganda historical song”, World of Music, xxix/2, 1987, p 49-68 (with F. Katamba). For the pdf click KatambaCooke. Listen to the performance below.
Teach yourself the Budongo,
(12-page booklet and cassette), with Christopher Kizza, (produced for use both in Uganda and in multi-cultural education in UK, USA etc.), 1988, Edinburgh, 12pp. (now available on CD).
This package and the two following are for sale: the proceeds are for the families of the musicians. Apply to me.
Musilit Concert 1987 – Village music from Nkore, western Uganda. (cassette – produced principally for use by Ugandans), 1988 (Now available on CD)
Play Amadinda: Xylophone music from Uganda (Instructional cassette and book), produced in collaboration with A. Ssempeke, (produced for use both in East Africa and in multi-cultural education in UK, USA etc.) 1990, Edinburgh , 29pp. (now available on CD)
Exploring musical pitch systems”, Bulletin of the UK Chapter of the International Council for Traditional Music, No. 27 Autumn 1990. pp 6-24
“On the trail of the Music Hunter” , Resound, x/3, quarterly journal of the Archives of Traditional Music, Indiana University, Bloomington. 1991. p 1-4 [about Laura Boulton’s research in SW Africa]. Click boulton-1 to download a typsescript copy of this article.
“Report on Pitch perception Experiments carried out in Buganda and Busoga (Uganda)” African Music, vii/2, 1992, p 119-125. Available courtesy of Rhodes University. Click here to read and/or download it.
Exploring African Rhythm – Hypercard stack for use with Macintosh computer and MIDI synthesizer, 1992 (available then as shareware).
Review of Gansemans J. ”Rujindiri, Maitre de l’Inanga (CD) in Yearbook for Traditional Music, 1992. p189-192.
Ssempeke! – Traditional Music from Uganda.
stereo cassette KAC 1003, K&C Productions, 29 Shepherds Pool Rd., Sutton Coldfield, B756NB, U.K. (now available on custom CD – apply to me).
Track listing, texts and translations available here:- Ssempeke!
“Call and Response: A Reply to Ulrich Wegner”, Ethnomusicology, 38/3, 1994, 475-480 (on the subject of inherent patterns in Kiganda xylophone music). Click here for the response.
“Orchestral Melo-rhythm in Southern Uganda”, Festschrift for Gerhard Kubik, 1995, pp. 147-160.
“The music of East Africa: an Overview”. Chapter for Encyclopedia of World Music. Garland publishing, New York. 1997.
Review of Arom, Simha: African Polyphony and Polyrhythm. Musical Structure and Methodology. in Canadian Journal of African Studies (Montreal, Canada).
Ouganda: Ensembles villageois du Busoga/ Uganda: Village Ensembles of Busoga. Recorded and compiled by Peter Cooke. VDE Gallo AIMP CD 926 (1997).
Texts and translations of the songs on the tracks can be downloaded here:-
“Fieldwork in Lango, Northern Uganda, Feb-March 1997”, in African Music, vii/4, (1999), 66-72. Click here for this article (courtesy of Rhodes University)..
“The Musical Scene in Uganda – views from without and within”. Joint article with Dr. Sam Kasule, in African Music, vii/4, (1999), 6-21. Click here for the article (courtesy of Rhodes University).
Bar Twang okeme group, Lango.
“Appeasing the Spirits: Music, Possession, Divination and Healing in Busoga, Eastern Uganda”, in Indigenous Religious Musics, ed. K. Ralls-MacLeod and Graham Harvey (Aldershot, 2000) p. 102-121.
“Response to ‘Echoes of Our Foreign Ancestors’” The World of Music 48/2, (2002), 93-100,
The King’s Musicians – Royalist Music of Buganda
– Uganda. CD with booklet – Topic TSCD925 (produced in associationwith the British Library National Sound Archive International Music Collection), 2003.
For song texts and translations (click here)
Something Is Wrong: Vintage Recordings From East Africa. I researched and provided documentation and translations. Honest Jon’s Records, London (2010, on Vynyl and CD).
“The Legacy of Klaus Wachsmann” in Ethnomusicology in East Africa – Perspectives from Uganda and Beyond. Eds. S. Nannyonga-Tamusuza and Tom Solomon. Fountain Publishers Kampala (2012), 3–15.
“Defending Kakraba: Promoting Intercultural curiosity” Ethnomusicology Forum, 23/1 2014, 94-109. (Click here for pdf.) DEFENDING KAKRABA
“A Response to Sylvia Nannyonga-Tamusuza and Andrew N. Weintraub’s “The Audible Future: Reimagining the Role of Sound Archives and Sound Repatriation in Uganda” Ethnomusicology 59/3, 2015, 474-479. Click here:- Cooke_Nannyonga
‘Sound repatriation in Uganda “And…er…of course, I…we didn’t just leave it at that.” And a saga from the pre-digital archiving age.’ In Sound Matters (blog published by the Society for Ethnomusicology).
Click here for the blog Sound Matters